Prince Lasha's and Sonny Simmons' 'The Cry!'
Prince Lasha and Sonny Simmons first came to my attention because of Eric Dolphy's 'Iron Man'. Perpetuating the sound of Eric Dolphy and Andrew Hill, Simmons and Lasha certainly play avant-garde jazz. 'The Cry!' their first effort together follows a more linear path than 'Firebirds', but they both take great strides in terms of expanding the sounds they were working with on 'Iron Man'. The great part about these records are that they remain free while still retaining a bop backing. Much like Andrew Hill's work throughout the '60s there is an inherent groove throughout the music no matter how static or dissonant it may get. Anyone with any interest in jazz should check these two records out as they are insanely overlooked and truly special.