Louisville's music scene has always been seen as defining a more sophisticated version of aggression. Bands from the area tend to be associated with "math rock", a sound that groups like Rodan and Slint created in the early '90s. In the current music scene in Louisville applying this generic influence to a heavy base of post-hardcore seems to be the new style. Pusher, Breather Resist, these bands all represent an extremely noisy complex brand of hardcore that in today's climate is strikingly original. In turn the Louisville sound has provided the scene with a national following. Young Widows is perhaps the most esteemed collective in Louisville these days featuring the entire instrumental bulk of Breather Resist with guitarist Evan Patterson taking up vocal duties. Young Widows originally sounded like yet another Jesus Lizard clone on their debut 'Settle Down City', but with 'Old Wounds' they have crafted something between the stolid side of Fugazi and repetitive style of groups like the Melvins and Big Black.
‘Old Wounds’ is strictly ‘90s influenced it seems. The ideas here are all from the last decade, but something feels different. Young Widows aren’t simply saying silence is a dangerous sound like those before them. ‘Old Wounds’ has crafted something desolate and fractured out of the past. The record sounds completely of this era and with its distant sound yet dark imagery crafts a perfect record for a nation and area that is suffering economic turmoil. In turn it should provide very little shock that the stories on this record seem like an update on Big Black’s ‘Songs About Fucking’ which came out during another Republican spawned economic crisis.
Young Widows - 'Old Wounds' (2008)